Getting started with mixed media sketching can feel intimidating, but prepping your backgrounds first is my secret weapon for loosening up and inviting creativity. Here’s a step-by-step guide to creating playful, layered surfaces for your sketches.
Why Use Collage and Paint?
Collage gives texture, depth, and surprises. It allows your sketches to be loose and playful — the background does some of the work for you, encouraging unexpected relationships to emerge in your drawing.
Step-by-Step: Preparing Your Backgrounds
1. Gather Your Papers
Use scraps like sewing patterns, old maps, non-precious book pages, sheet music, or any paper with character. Torn edges and faded text work beautifully.
2. Paste Them Down
Glue papers in a relaxed, free way — overlap, tilt, and let edges peek through. The unexpected shapes and textures add visual interest later.
3. Layer with Diluted Acrylics
Apply washes of acrylic paint — sometimes lightly, sometimes dragging colour across the page. Thin layers create a translucent veil while keeping texture visible.
4. Scratch and Mark
While paint is damp or semi-dry, scratch into the surface. Let textures emerge and papers underneath peek through.
5. Add Sepia Drawing Ink (Optional)
Drip, splash, or let ink seep into cracks. This adds warmth, depth, and character to your background.
Take Your Backgrounds Out on Location
Once dry, your prepared pages are ready for loose architectural or floral sketches. Collage and paint guide your marks and make drawing more spontaneous.
Try It Yourself!
Gather scraps, paste freely, add washes of paint, and let the process surprise and delight you. Play is key — no drawing has to be perfect!
End the year with our final Make It Mixed Media course of 2026 – ‘Something Fishy’ is a fun, feel-good printmaking workshop full of colour, texture & cute coastal vibes. Perfect for artists who love playful, on-trend designs!
Six weeks of playing with four consistencies of acrylic, discovering fun techniques and processes on a variety of artwork themes. Wednesdays or Thursdays from 3 February 2027.
Mixed media sketching, collage, painting and printing. Fun and quirky creativity on paper and a fold-out concertina sketchbook. Wednesdays or Thursdays from 26 May 2027.
Fun sketchbook creativity on summer themes: flowers, café life and out and about! In the studio and on location. Three weeks from 21 July 2027, £145.
MORE DETAILS COMING SOON!
Clos Mirabel - Jurancon - Pyranees Atlantiques - SW France. Clos Mirabel is a beautiful fifteen acres estate between coast and mountains. Its 18th-century manor house is set in private parkland amidst the gentle hills of Jurancon with magnificent uninterrupted views out over vineyards to the entire chain of the Pyrenees Atlantiques. A haven of peace, ever-changing light and tranquillity, it is the perfect location for a fun, creative reset.
Compositions for a still life, inspired by Angie Lewin. Seasonal set-ups for painting on paper and board with mixed media techniques. Wednesdays or Thursdays from 3 November 2027.
September saw another visit to the glorious Stem and Green flower field in Headbourne Worthy to paint with a lovely group of creatives.
There is something truly special about making art together. My September painting holiday at Atelier Clos Mirabel was a beautiful reminder of what happens when creative people gather.
Nothing more, nothing less: a punnet of blueberries in rich, intense colour. Here's how a simple still life mini-project got everyone's tastebuds tingling.
Using a wide range of materials including dye-based watercolours, water-soluble pastels, acrylic paint, foam rollers, markers and fineliners, we experimented with painting all sorts of fruit, using layering, blending, texture and mark-making. The course was all about letting go of perfection, embracing curiosity and enjoying the process of making art
On my recent six-week mixed media kitchen cupboard–inspired course, my students threw themselves into a wonderfully freeing drawing exercise—and the results were truly astounding.
When you’re standing at the easel and something just clicks -the colours feel right, the marks feel honest, and you’re not overthinking every brushstroke. You’re simply responding.

